AmpliTube Slash for Custom Shop is a suite of Slash's signature guitar effects, amplifiers and speaker cabinets that Slash uses on tour and in the studio, available in a convenient desktop app and plug-in for your DAW. If you’re thinking about getting AmpliTube 4 or already have it, you might want to check out the Guitar Effects Course here. The course uses AmpliTube 4 throughout and is a great way to find out how you can use the software to tweak and setup your own tones and effects combinations.
. Hyper-Realistic tone. 3D Cab Room w/ selectable room simulations. Dual Mic placement on any speaker. Individual speaker selection. Speaker interaction modeling.
Cabinet mixer for mics, room, DI and master level. New British Series Amps. Power Amp/Speaker dynamic response.
Acoustic Simulator. Effects loop slot between pre and power amp. Universal effects placement. Rack effects can be used as stomp effects.
Stomp effects can be used in rack section. 8-track DAW/Recorder. 4-track Looper. UltraTuner. Built-in Custom Shop.
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Get ready to have your mind (and ears) blown. AmpliTube 4, a major upgrade to the world’s most powerful guitar and bass tone studio for Mac/PC, is here and will take you to a level of hyper-realism and customization of tone you never knew possible. And yes it does work GarageBand for Mac:) Overview AmpliTube 4 is a guitar and bass tone studio for Mac/PC that works as a standalone application and as a plug-in for your favorite DAW. AmpliTube recreates the entire guitar/bass signal chain from instrument to recording device, and does so in a very realistic and intuitive way. But it also does it in ways you never dreamed possible. If you’re new to using computers to get fabulous guitar tone, then you’re in for a treat. If you’re a veteran computer tone-master, well, you’re still in for a treat.
AmpliTube pioneered — and leads the way in — guitar amp and effects modeling, and AmpliTube 4 takes it to the outer edges of extreme hyper realism with intuitive familiar tools. Fasten your seat belt let’s take a quick tour! New Hyper-realistic cab room AmpliTube has always been about realism, and now that extreme commitment to accuracy is a part of its completely redesigned cabinet section. The new Cab Room feature is the most advanced cabinet section ever made, giving you a new level of customization and flexibility never before seen in software or reality. The cab room now has 5 distinct customization sections: cabinet selection with size adjustment where players can choose the speaker cabinet they’d like to match to the amplifier, individual speaker selectionwhere they can swap out individual speakers, mic selection and placement for finding the speaker “sweet spot”, room selection where players select the surrounding recording environment, and a mixer sectionthat allows players to mix the levels of speaker mics, room ambience, direct amp signal and overall main mix. Never before has such a level of control and customization been available for fine-tuning tones from the speaker section. Dual 3D mic placement Now you can mic up your cabinet with up to two microphones in a full 3D space.
AmpliTube 4 comes with 3 microphone, with an additional 15 highly coveted recording microphone models available in the Custom Shop providing a truly hyper-realistic sound capturing environment. The room microphones can also be chosen from the available mics.
This, coupled with its swappable speakers, allows for true cabinet miking with full speaker interaction — a digital first. Add in things like room ambience control, a new mixer for the cab section and gorgeous new graphics, and it’s easy to see that the new Cab Section is poised to revolutionize the way guitarists, bass players and other musicians utilize virtual cabinets in their music.
Individual Speaker Selection Now you can swap out individual speakers in your favorite cabinets at will, allowing for creative speaker combinations utilizing the many precision-modeled speakers available. The AmpliTube 4 speaker cabinet section not only accurately reproduces the tonal characteristics of the individual speakers, but also accurately picks up the harmonic interactions between the individual speaker models, the cabinet construction and the room, making it the most realistic speaker cabinet emulation available.
New Hyper-realistic gear — British Amps! AmpliTube 4 welcomes 5 new classic amplifier models to the mix representing some of the best British tones from the 70s, 80s and 90s. Each amplifier has been modeled from scratch to embody a different aspect of powerfully classic British amplifier design: There’s the Brit 8000, Brit 9000, Red Pig, Brit Silver and Brit Valve-Pre. All of these new amplifiers have been created utilizing the same methods and patented technologies that have made the AmpliTube brand name synonymous with world-class sound, hyper-realistic tone and extreme accuracy. These models also bring a new level of realism and sonic accuracy through a new technology that precisely replicates the dynamic interaction between the power amp and the speakers, thus eliminating the “harshness” typically found in the upper frequencies of other software and adding another level of dynamic response and hyper-real feel.
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Acoustic Simulator AmpliTube 4 is all about exploring new tonal possibilities and its new “Acoustic Sim” model pedal turns the electric guitar into a hyper-realistic acoustic. It delivers stunning realism and an amazing playing experience that can be tweaked with the onboard controls. Players can choose from and blend 3 acoustic body styles and 3 types of top material to sound like a full range of popular acoustic guitars. Now guitarists with AmpliTube 4 will always have at their disposal great acoustic sounds. Creative connections and effects placement New to the signal path in AmpliTube 4 is an effects “loop” insert slot situated between the preamp and power amp sections and can accommodate up to 4 daisy-chained rack or stomp effects. In addition to the new effects loop, any stomp or rack effect can now be placed into any effects slot.
This means that stomp boxes can be used in the post “rack” section, and rack effects can be used in any stompbox slot — on any pedalboard or in the effects loop section. This opens the door for even more for creative tweaking and innovative sonic sculpting possibilities. Rack FX placed into Stomp section - Edit mode 8-Track Recorder/DAW under the hood When used in standalone mode, AmpliTube 4 features a built-in 8-track DAW that makes recording ideas and songs a breeze. Its powerful sequencer-like waveform editing should be immediately familiar to you, making it easy to use it as a sketchpad for new ideas or as a full-featured recording solution on its own.
Each track features standard treble, mid and bass eq, pan control, level, mute, solo and record enable functions, plus there’s an FX enable button allowing for application of different tone configurations to individual tracks. As a learning tool, you can import any audio tracks into the DAW section, define loop points and use AmpliTube’s built-in Speed control to slow down difficult passages without affecting pitch, and use the Pitch control to change keys without affecting speed. This feature is perfect for working out difficult solos or practicing different leads or melodies over a series of chord changes in a backing track. A truly super looper Rounding out AmpliTube 4’s new feature set is a MIDI controllable 4-track looper.
Dubbed the Super Looper, it’s a full-featured intuitive 4-part looper that you can use to lay down multi-part backing tracks with speed and ease, then practice leads, chords and melodies over the top. Each track has an individual level and pan control so you can adjust them in the “mix” to suit your needs. You can activate each track with the click of the mouse, or use a MIDI foot controller like the iRig BlueBoard to activate/deactivate tracks. The looper audio can be exported to the hard drive of your computer, then imported into the AmpliTube DAW section, or your favorite sequencer. Audio backing material can be imported into the first loop channel for continuous play. UltraTuner Also stock in AmpliTube 4 is an upgraded tuner section with IK’s patented UltraTuner technology — the most precise digital tuner available with tuning accuracy to 1/100th of a cent. It’s the essential piece of gear that will always make you sound good!
How it works Chances are, you already know how it works. We designed AmpliTube 4 to be so hyper-familiar and hyper-intuitive in its operation that you don’t really need a manual or an engineering degree to operate it (we do, however provide a manual, just not an engineering degree). Here’s how it works Get connected To use AmpliTube as a tone machine for guitar or bass, you have to connect your guitar to your computer. You do this with what’s called an “audio interface” (we make some really good ones, to check them out). Once connected AmpliTube gives you the exact signal chain you’d use live and/or in studio: tuner — pedalboards — amp head preamp — effects loop — power amp — speaker cabs — mics with room effects — rack effects.
Plus, you can configure two complete rigs and run in stereo. Signal chain There are also eight different series/parallel “routing” options available that give you total signal chain control, allowing you to configure tones for every possible playing scenario. You can select and customize different configurations on the fly as you see fit: dual pedal boards running into a single amp head split to two cabs, with different mic sets for each, running into a single rack with a compressor and graphic eq, just as an example. Run a full stereo rig with different amp setups the combinations are endless. Presets – the key to live performance The entire AmpliTube chain can be easily saved, organized and recalled through the advanced built-in preset browser.
Presets can be tagged and stored using a series of searchable, user-defined keywords and attributes. Plus, the online Preset XChange service allows users to post and share presets they create, with a growing community of AmpliTube users. You can save presets for a single piece of gear, or for a complete signal chain. Universal MIDI control You can control AmpliTube live using IK dedicated guitar and bass interface and controllers such as or with direct programming of the controller using the AmpliTube graphical interface, or you can quickly configure it to be used with any traditional MIDI controller by associating patches to MIDI program changes and knobs, switches, pedals to MIDI continuous controllers using the built-in “MIDI Learn” function. No matter what your playing situation, AmpliTube offers you hyper-control over your tone!
High-resolution sound AmpliTube can work as a 64-bit plug-in for the most popular DAW (such as Pro Tools, Logic, GarageBand, Cubase, Live, Reaper) or can be used in stand-alone mode in Mac OS X and Windows. The plug-in and standalone versions offer the same function and sound, but the standalone version also offers a built-in 8-track recorder and DAW, plus a 4-track looper so you can capture your ideas at the moment of inspiration.
Both the standalone and plug-in versions are included when you install AmpliTube. Infinitely expandable AmpliTube 4 comes with the built-in Custom Shop gear store feature that allows you to add gear to your collections any time a-la-carte or via collections. Its vast selection of amps, stomps, cabinets and more includes officially certified models from the likes of such legendary greats as Fender®, MESA/Boogie®, Ampeg®, Orange®, Soldano™, Groove Tubes®, Gallien-Krueger®, Jet City Amplification™, THD® and T-Rex®, Fulltone®, Z.Vex®, Carvin®, Morley®, Wampler Pedals®, Dr.
Z®, ENGL® and more. In addition to these well-recognized brands, there’s also signature gear from artists like Slash and Jimi Hendrix.
AmpliTube 4 can also be expanded with legacy gear from previous versions of AmpliTube via the Custom Shop. If you own a previous version of AmpliTube, simply restore your gear with the “restore my gear” feature in the Custom Shop. Plugging in to a world of sound. Anim pariatur cliche reprehenderit, enim eiusmod high life accusamus terry richardson ad squid. 3 wolf moon officia aute, non cupidatat skateboard dolor brunch.
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With so many software amp simulators to choose from, how do you know which one is right for you? Here's our selection of current options, with links to the SOS review where available. Brainworx BX RockRack Brainworx's BX Rockrack Pro favours quality over quantity, offering just a handful of simulations that Brainworx have developed in conjunction with a range of big-name rock and metal producers.
As such, it favours heavier guitar styles, but there are models available for other genres too. You can also use the recording-chain side of the models (mics, preamps, processors and so on) independently, and apply them to other plug-ins, or even your own real guitar amps. ILIO +4 800 747 4546 Software amp sims have come on leaps and bounds in recent years. Can your computer fulfil the next stage of your tonequest? If your interface has an instrument jack input, like this one, then a bit of software could be all you need to get the perfect guitar tone from your computer.
It's not just software versions of studio outboard that have proliferated in recent years: there are now more plug-in emulations of guitar amplifiers and speaker cabinets on the market than you can shake a stick at! The quality of many of them is very good indeed, and the prospect of getting your computer to take the place of an amp stack and pedalboard, at a fraction of the price (and size!) of equivalent hardware, is indubitably enticing. To get the best out of such software, though, there are a few things you need to consider.
Firstly, you'll need something to plug your guitar into. Many audio interfaces already have such a facility: a quarter-inch jack socket that presents a high input impedance (sometimes known as 'Hi-Z'). If you have such an interface, you're pretty much good to go! Some interfaces, however, have only mic or line inputs, in which case you'll need either a DI box (for mic inputs) or a guitar preamp (for line inputs) before you can start jamming. If you have no interface at all, the simplest option is probably to go for one of the many USB devices available. There are countless models around that allow you to plug in a guitar, and many that will also accept microphone signals, which would be ideal for recording basic demos.
And if you only want to use your computer as a software guitar rig, things get even easier: for under £20 $20, you can get a guitar-to-USB cable — essentially a compact audio interface built into a cable — which will have you up and running in no time. For more advice on choosing an audio interface, you can read our in-article feature on the matter at. Most readers will be familiar with the problem of latency — the delay you hear when monitoring a signal as you're record it. When recording vocals, people often get around this using 'direct monitoring', whereby the unprocessed input signal is tapped off before it goes into the computer, for latency-free listening. For guitarists, however, it's not quite so simple.
The sound has to go into the computer, be processed via the software, and pass back out again before you can hear the sound of your guitar as if it were running through an amp. The reason direct monitoring is of little use to guitarists is that listening to a direct guitar signal just isn't the same as playing through an amp, as you don't get any feel for the sound of the guitar-and-amp combination as you're playing it (try shredding along to a heavy metal track without distortion, or playing U2 licks without a delay pedal!), and the performance often suffers as a result.
The first step to mitigating latency is to set your software's buffer size as low as you can while tracking, without introducing unwanted clicks, pops and the like. This places a greater load on your computer's CPU, but will reduce the latency, and in many cases this is the only step you'll have to take. If the delay between what you play and what you hear is still unacceptably long, though, there are other ways to get around the issue. For example, you could use a DI box with a 'Thru' output to split the guitar signal, with one side going to a small practice amp for monitoring, and the other going to your audio interface's mic input for recording purposes. You might not get to hear the actual sound you'll eventually settle on, but it's much better than listening to a DI'd signal, and you can always tweak your amp-sim's settings after you've recorded it a part. As with soft-synths, guitar-amp software often comes with an arsenal of complex, effects-laden preset sounds based on famous guitar tones.
While these might catch your attention while you're searching for the sound you want, they can end up sounding awful when you're trying to use the guitar sound in a mix! It's a good idea to peel back those effects and optimise the amp and speaker emulation settings first, before relying on complex effects chains to get the tone you're after. All contents copyright © SOS Publications Group and/or its licensors, 1985-2019. All rights reserved. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers.
Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers.
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